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Arabesque (ballet position) - Wikipedia, the free encyclopedia In classical ballet, the term arabesque (aa-rah-besk ; literally, "in Arabic fashion". Specifically, "arabesque" references an architectural design term that ... Glossary of ballet - Wikipedia, the free encyclopedia Main article: Arabesque (ballet position) ... The pirouette may return to the starting position or finish in arabesque or attitude ...

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Arabesque (ballet position) - Wikipedia, the free encyclopedia

In classical ballet, the term arabesque (aa-rah-besk ; literally, "in Arabic fashion". Specifically, "arabesque" references an architectural design term that ...

Glossary of ballet - Wikipedia, the free encyclopedia

Main article: Arabesque (ballet position) ... The pirouette may return to the starting position or finish in arabesque or attitude ...

The Different Ballet Arabesque Positions | eHow.com

Arabesque is the name of a position in classical ballet in which the dancer stands on one leg and extends the other leg behind her. As she faces forward, she also ...

Arabesque (ballet position) - Dance Wiki

(aa rah besk) Literally, "in Arabic fashion". In classical ballet, the term arabesque indicates a position of the body where the dancer stands on one leg, while the ...

Pre-Ballet: Arabesque - Dance Help: Dance Tips, Articles and Dance ...

One of the most difficult positions to master in ballet technique, is the arabesque.

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New York Times

New York City Ballet in New 'Carillons' at Koch Theater
New York Times
Christopher Wheeldon and New York City Ballet have a special relationship. Perhaps there were some bruised feelings when, in 2008, he resigned as resident choreographer ? a position City Ballet had created for him in 2001 ? to concentrate on his own ...

and more »

Bring on the Carillons--an Evening of Wheeldon at NYCB
The Faster Times (blog)
Ballet premières come and go, but last night (Jan. 28) at New York City Ballet was not just any première. It was the return of the prodigal, the bestowing of the crown of laurel upon the noble brow of its boy-wonder and onetime ...

and more »

The Star-Ledger - NJ.com

'Les Carillons' premiere falls short, but other Wheeldon pieces hold charm
The Star-Ledger - NJ.com
Typically the ballerina's arabesque is what matters, but in a duet for Wendy Whelan and Robert Fairchild the choreographer reverses the usual male-female relationship. Fairchild stands above Whelan in arabesque, their lines parallel as she lunges near ...

and more »

Janet Sheridan: Cutting A Rug Janet Sheridan
Craig Daily Press
I remember peering at my stubborn feet during ballet class, trying to force them into first position with the backs of my heels touching and my sizeable feet turned out, forming a straight line. I spent three weeks struggling with correct positioning ...

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